700,000,000+ views across socials
PowerGrade · Apple Log · iPhone
Works in DaVinci Resolve · Free or Studio
Not another LUT that falls apart on your footage. This is the node tree I grade client work with — balanced first, adjustable all the way down.
$147$77Save $70
One-time. No subscription.
Gimme The Film Look Now!$147$77Instant download. Yours forever. 14-day refund, keep the files.
Commercial License
Grants full usage rights for commercial projects, client work, advertising, and more.
Without it: your own projects, your channel and your portfolio. Reselling the files is never allowed either way.
A LUT is one fixed look. It can't change, no matter what you shot or what time of day you shot it. This is the node tree that builds the look, with every step open so you can adjust it.
No. There's a second file built for the free version. Same look, nothing to buy.
The footage on this page was shot on an iPhone 17 Pro, and it works with any iPhone or camera. Choose your camera in the first node and the rest of the tree behaves exactly the same.
Drop it on a clip, set the CST, nudge exposure. That is the whole first session. The labels are there for when you get curious.
It comes with in-depth training on every node. If you go through it and still struggle, email me inside 14 days: I'll break down your case, or refund you fully if it still doesn't work.
Every frame below is a phone shooting Apple Log 2 — nothing rented, nothing cinema. Drag the wipe to compare the graded frame against the log it came from.
700,000,000+ views
across socials
I run a content studio, and the videos I've produced for clients and for myself have passed 700,000,000 views across socials. Most of that footage was shot on phones and finished in Resolve.
This tree is the one I open on client work. It wasn't built to sell. It was built because every LUT I bought landed wrong on log footage and cost me an evening to fix. I cleaned it up, named every node, and put it in a file. Every frame on this page is my own footage, graded with it.
You followed the setup instructions to the letter. It landed on your footage and the shot still wasn't it — so you started pushing sliders, and it got worse.
There's no middle. Either it stays washed out, or one nudge too far and the skin goes orange and the shadows go electric.
Adjust, looks good, adjust again, and somehow the evening is gone and you're further from where you started than when you began.
You've watched the tutorials. You can name every tool on the colour page. The result still doesn't look like the work you're trying to match.
That order is the whole difference. The transform and the balance run before anything decorative, so by the time the look lands it is sitting on a neutral image instead of fighting one. Nothing to guess at, nothing to undo.
One frame, one node at a time. Drag the slider and watch what each stage does before the look ever arrives.
The installation guide in the download covers the same three, with screenshots.
Step 1
Once. From then on it's right-click, Apply Grade, on any clip.
Step 2
Node 01 is a colour space transform. Pick your input, Apple Log 2, S-Log3, V-Log, BRAW, and the rest of the tree behaves.
Step 3
One offset wheel. Everything downstream is already balanced, so this is the only control you touch on day one.
No locked project, no cloud login, nothing that expires. A zip, on your drive, forever.
RadiantLowlandPowerGrade/
| Feature | LUT pack | Radiant Lowland |
|---|---|---|
| Adjustable stages | ✕ | ✓ |
| Balanced before the look | ✕ | ✓ |
| Named nodes you can learn from | ✕ | ✓ |
| Time to first graded shot | minutes, then hours fixing it | ten minutes |
| Works in free Resolve | ✓ | ✓ |
| 14-day refund, keep the files | varies | ✓ |
Exclusively made for DaVinci Resolve.
Runs the free .drx. The halation is handled inside the tree itself rather than by a plugin, and the grain comes through Fusion, which the free version has. Both are in the file. Nothing to buy, nothing to add, nothing missing.
Runs the full 22-node tree as it was built — ResolveFX halation, glow and prism blur, Film Look Creator on the grain, and one Magic Mask node.
Resolve 18 or newer, macOS or Windows. Not affiliated with or endorsed by Blackmagic Design.
Install it, run it on your own footage, take it through a real edit. If it isn't what you wanted, email me inside 14 days and we'll refund you fully.
You keep the files either way. I am not going to chase you for a download you already paid for once.
$147$77Save $70
One-time. No subscription.
Instant download. Yours forever. 14-day refund, keep the files.
A LUT is one fixed look. It can't change, no matter what you shot or what time of day you shot it. If it looks wrong, you're stuck. This is the node tree that builds the look, with every step open so you can adjust it. One is a photo of a meal. The other is the recipe and the kitchen.
That's the right thing to be suspicious of — the usual complaint about bought looks is that they go on and the shot still reads wrong, so you start pushing sliders and make it worse. The reason is almost always that a LUT is applied on top of unbalanced footage. This tree balances first: exposure and white balance sit ahead of the look, so the creative stage receives a neutral image instead of guessing at one. And if it still doesn't work on your footage, the refund is real.
No — but I am not going to pretend the Studio tools do not exist. The full tree uses ResolveFX halation, glow and prism blur, Film Look Creator for the grain, and one Magic Mask node. So the download has a second .drx built for the free version: the halation is built inside the tree rather than called in as a plugin, the grain runs through Fusion, which the free version has, and the Magic Mask node is gone with a tracked Power Window doing its work. Everything else — the colour space transforms, the balance, the curves, the saturation shaping, the windows — is identical between the two files. You are not getting a cut-down grade because you did not buy Studio.
The footage on this page was shot on an iPhone 17 Pro, and it works with any iPhone or camera. Choose your camera in the first node and the rest of the tree behaves exactly the same, whether the footage came from an iPhone in Apple Log, an FX3 in S-Log3, or a Blackmagic in BRAW.
Drop it on a clip, pick a look, adjust exposure. That's the whole first session. The labeling is there for when you get curious — most people start editing the tree in week two without deciding to.
That is the commercial licence, a $9.99 add-on at checkout. Tick it and you can use the grade on client work, ads and anything else you are paid for, unlimited, with no attribution. Without it the files are yours for your own projects — your channel, your portfolio, your reel. Either way, what you can never do is resell or redistribute the files themselves.
Instantly. Checkout hands you the download and emails you a permanent link. No waiting, no manual delivery.
The PowerGrade comes with in-depth training on how to use every node in it. If you go through it and still struggle with your footage, email me within 14 days and I'll break down your specific case, or refund you fully if it still doesn't work. You keep the files either way.
